Have you ever put something in the washing machine that wasn't supposed to go there? My list stretches back decades, and every incident was life-altering in its own way. There was a pair of Mom's dry-clean-only linen shorts that turned an entire load of laundry hot pink and led to everyone in the house doing their own darned laundry from that point on. There were too many tubes of lip balm to count, especially in high school. There was a cell phone and an iPod (you'd think I'd learn). And then there was this sweater.

Waaaaay back in 2016, I finished this sweater - made from some of my early handspun yarn. The sweater is far from perfect, but it's warm, it's mine, and it has POCKETS. Plus, it's a shade of beige that goes with just about everything in my closet, making it an essential piece throughout fall and winter. 

Unfortunately, just before the turn of 2019, my husband put it in the washing machine (by accident). I've talked about this fiasco a bit in my newsletter and on Instagram. The point is that it shrank some, mostly lengthwise, making it look silly when I wore it. It was felted, but was it felted beyond saving?

Felt, quite simply, is a non-woven fabric that is made of matted fibers.  It can be made of just about any material. 

Wool felts because it has microscopic scales on the surface of each fiber. When the fibers are subjected to a mixture of moisture, heat, and agitation, the scales lock together like Velcro. Unless the wool has been through a superwashing process that removes or smooths down the scales, wool will always be at risk for shrinkage due to felting.

As heat, moisture, and agitation are applied to wool those scales lock together and the fabric can shrink. A number of factors combine to determine how much the wool can shrink, including:

• How much heat, moisture, and agitation are applied (more=more shrinkage)
• The breed of sheep the wool came from - wool from some breeds shrinks more easily than others

Usually, when working with non-woven wool felt, the felting process has been carried out to the maximum extent possible in order to create a strong and durable fabric. This process cannot be reversed once it's carried out to the full extent. 

Felting can also occur when spinners dye fiber prior to spinning it into yarn. Usually this happens because there's extra heat and agitation in the dye process (especially if the water boils!). For most fibers in this situation, the wool is only slightly felted, and it may be possible to mitigate the effects of felting.

Depending on how much the wool shrank during the felting or fulling process, it may be possible to pull the fibers apart from each other. If the fibers are only a little bit felted or fulled, the more likely this will be an option. However, if it's felted/fulled "all the way" or even a good percentage, you're never going to get your wool back into its original state.  

When pulling fulled fibers apart, it's best to be gentle - those scales have locked together, and using lots of force can result in fiber or yarn breakage.  

For my handspun sweater, it was only slightly fulled. In the first image, before fulling, you can see very crisp stitch definition. In the second image, after fulling, you can see that it's definitely fuzzier (partly because of a couple of years of wear, and partly because of the fulling). But you can still see the stitches fairly well - it hasn't completely morphed into a beige blob!

Following some suggestions of helpful instagrammers and the internet, I soaked the sweater in a bath of warm water and about 1/3 of a bottle of Unicorn Fibre Rinse. Some people use hair conditioner, but I had the Fibre Rinse on hand and wanted to see how it would perform in this situation. I rolled my damp sweater in a towel, the laid it out on a blocking mat, gently stretching the body out to try to give it some extra length. 

Then came the hard part - walking away to let it dry for a couple of days. In the end, my sweater wasn't quite as long as I'd want it to be, but it's no longer a "crop top cardi" and it's wearable again. 

This process works to some extent because wool fibers are more elastic when they are wet. I'm not sure how much the Fibre Rinse helped, but since it's formulated for use on wool, it certainly didn't hurt. And, since it also acts as a fiber softener, my sweater is a little bit softer for the experience!

Note that this fix will only work if the fiber isn't felted/fulled all the way, and even though it's possible to stretch the fabric back out, your garment will probably never be exactly as it was when it was new. 

As for my husband? All is forgiven, but not forgotten.   ;)

Ravelry project page here.


*You'll often see this process referred to as felting anyways...I'm guilty of it too!

Have you heard of "spinning in the grease"? It's a term that spinners use to say they are more or less spinning the wool straight off the sheep. The "grease" is lanolin - the natural wax sheep secrete from their sebaceous glands. 

As a sheep grows its fleece each year, it is also secreting lanolin, just like our skin produces oil.  Just like some people have more oily skin and hair than others, some sheep produce more lanolin than others. Lanolin can account for anywhere between 5-25% of the weight of a sheep's freshly shorn fleece. Lanolin helps sheep protect their fleece and skin from sun and moisture. In addition to being useful to the sheep, lanolin has lots of other uses in cosmetics, lotions, and even shoe polish.

When it comes to spinning wool, however, there are lots of opinions about spinning in the grease. Some people love it, some people hate it. Some people only spin in the grease, while others only spin with scoured (cleaned) wool. 

So why would you spin in the grease? Why might you prefer to spin with cleaned wool? This post will walk you through some the pros and cons of spinning in the grease, so when you find a fleece at your next fiber festival, you'll have a better idea of whether you want to scour or spin in the grease.

When Kate Davies first published the Miss Rachel's Yoke a couple of years ago, I knew I had to make it. I quickly bought the kit, intending to cast on right away.

Of course, life intervened, as it does, and by the time I was ready to knit there were a few roadblocks in my way:

1. I wanted to knit it as a cardigan, which would require extra yarn (that I didn't have) for a button band.
2. I wanted to knit the gauntlets into the sleeves, and wasn't yet confident in my pattern-hacking skills to do so.
3. I swatched (really!) and found that the recommended gauge is quite tight, and didn't really want to subject my hands to that kind of strain. 

But mostly, I was convinced I didn't have enough yarn. (Side note - I've decided always buy/spin more yarn/fiber than I think I need from here on out. I always end up picking the projects that require tons of yardage...)

Earlier this month, we had a snowy day that had followed a very gray week. It was one of those weekends where I can't think of a reason to leave the house, and I was downright grumpy. My husband, in an attempt to cheer me up, suggested a trip to the movie theater. The only problem was, I didn't have anything to knit - at least, nothing I could knit in the dark. 

When I first learned to knit, I taught myself to knit without looking so that I could knit on the dark schoolbus, in dark cars riding home from dance lessons, and in the movie theater. Now, my "movie theater knitting" is always very basic. I can knit and purl in the same row if it's not a fancy pattern, but anything that might require a chart is out of the question. Usually I keep a sock on the needles for just such an occasion, but the socks I had going were too close to being done to entertain me for a whole two hours.

I dove into the stash to see what my options were, and the Miss Rachel kit jumped out at me. I figured that even if I didn't have enough yarn, at least I'd have something to knit in the movie theater.  And though I'd originally meant to make it a cardigan, I've realized that I wear pullovers a bit more often than I did when I first bought the kit, so a pullover it was.

One benefit of waiting so long to cast on is that plenty of other Ravelers have had the chance to knit and write about this pattern, so I could let go of some of my anxiety about how it would turn out.  Some standouts are:

Uncrossed has incorporated a great short-row detail into the yoke.

Ltnknitter, Agameda, and Lizoid have an interesting trick for hiding the jog. 

Crochet-Julie made the darker version, and managed to do her modeled shots in front of a photograph of the shawl that inspired the design.

My project page is still in progress, but you can find it here. 

Have you ever dropped a stitch in your knitting and struggled to fix it because you didn't have a crochet hook? Or maybe you're lazy like I am and just don't want to go looking for a crochet hook! ;) Either way, this tutorial shows how to pick up dropped stitches in your knitting - without any extra tools!  

​Enjoy!

Last week in my email newsletter, I wrote about how I made a surprising impulse purchase of the Sashiko Stowe Bag kit.  What was equally surprising was that as soon as the kit arrived in the mail, I sat down and started working on it, and had a finished bag the next day. Usually kits and yarns of all sorts have a habit of lingering for a long time before I actually start on them.

Inside the Stowe bag pictured above are two projects - the beginnings of my Miss Rachel's Yoke (purchased as a kit more than two years ago and finally cast on!) and the beginnings of a shawl with this yarn. As soon as the bag was stuffed with these two projects, I realized I needed yet another bag. 

Originally, I'd planned to make the larger Stowe with some pink handwoven fabric - and then quickly walked back my plans when I tried to lay out the pattern pieces - there was no way I'd have enough fabric. As much as I love big bags, I felt like there could be a size in between the big and little Stowe bags, and set about drafting a medium size based on the amount of handwoven fabric I wanted to use.

Then, knowing that pattern drafting isn't exactly a well-honed skill of mine, I decided to test the pattern out on less precious fabric first.  

I ended up choosing to line the bag, using this tutorial. I did end up using a little bit of this handwoven fabric as the pockets, and lined those too. Instead of doing step 13, I did a more traditional boxed bottom using the basic fold-and-sew method.  I used a kumihimo braid that matched the handwoven fabric as a trim on the outside of the bag. 

If anything, this bag might be a little bit wide for its height, so there might be some more tweaking in store for my modified pattern. Overall, though, I'm very pleased with the bag itself - right now it is hanging on the back of my chair holding the yarn for the Miss Rachel's Yoke.

Yep, I'm totally a bag lady, but I'm okay with that!