There are as many ways to spin a gorgeous yarn as there are people who spin. Sometimes, getting a consistent yarn is really important - especially if we're spinning lots of yarn for a big project.

There are lots of ways to make sure you're spinning a consistent yarn. One of my favorite ways is to use the Spinner's Multitool. It helps me prepare fiber, and then check my yarn as I'm spinning to make sure I'm getting the yarn I want. 
The Spinner's Multitool functions as a diz, WPI (wraps per inch) tool, and twist angle. The Ultimate Multitool also has a small 2" ruler that can help you determine twists per inch. These are all factors that can help you spin a consistent yarn. They're also helpful if you're trying to replicate another yarn in your stash. 

In this post, I'll walk you through all the ways you can use the Spinner's Multitool. In this video, I'm using the Ultimate Multitool. but if you're into something a little different, we also have a Sheep Shaped Spinner's Multitool, an Alpaca, a Bunny, and the Original. If you still have questions after watching the video, I've added some more information and closeup images to help.

Here you can see a yarn that is Z twist, at a 30 degree angle. I've added a red dash to show how the angle of the twist lines up with the 30 degree angle. ​

Here are some key things to remember when you're using your Spinner's Multitool:

• Don't pull the yarn too tight - this will distort your reading, making the yarn look thinner than it really is. It can also distort the twist angle.
• Remember that most handspun yarns bloom and lose twist after they are washed - so your readings will be different at your wheel and in the same yarn after it's finished. 
• The best way to account for these differences is to sample, sample, sample! Record your measurements before and after washing your sample. Knit, weave, or crochet a swatch with your finished sample to make sure you like the yarn. Sample as many times as you need to before diving in to your project.
• Always be as consistent as possible with yourself. If you always measure in a certain way, then keep measuring that way. If you alter your measurement methods halfway through a project, you might end up with different results at the beginning of your bobbin and at the end!

​Happy Spinning!

Lately, I've been working on a project that makes use of a gradient. This is to be a sweater quantity with most of the yarn in the darkest color. I started with several piles of color - most of it the mauve/magenta color shown at the top of the first photo. Then I blended it into a gradient, adding darker and and darker values on one end, until I got to the almost-black-purple, and lighter and lighter values on the other end, until I got to the pale lilac-pink. 

When I took the photo above, I realized there were a couple of places where I wanted to to smooth out the gradient, specifically at the lightest and darkest ends of the spectrum. So there are a couple more values in the gradient now! The fiber is mostly organic Polwarth, with a little bit of Merino and CVM in there too. 

I used the diz in the Spinner's Ultimate Multitool to pull the roving off the drum carder. Now I'm using the WPI gauge to make sure I spin to about 28 wraps per inch. I'm doing this as a short forward draw, which is a little bit outside my comfort zone, so I make sure to check pretty frequently!

I'm starting with the darkest color. There's about 20 ounces of this, and then between 2-4 ounces of each of the other colors, so there should be plenty for the sweater I have in mind!

One of the things I love about the Spinner's Multitool is its versatility. Just because the name implies that it's for spinners, doesn't mean you can't use it to make your weaving weaving easier!

In weaving, the sett is how close together (or how far apart) the warp ends are. The sett is often expressed as a number, followed by the term "EPI," which stands for "ends per inch." Deciding on a sett is a skill that takes practice and plenty of sampling, but I like to use our Spinner's Multitool to get a ballpark idea of which sett to choose. 

First, lay the warp yarn across the multitool until you find the closest match. This is your WPI, or wraps per inch measurement. In the first image, my measurement is 22. 

For a balanced plain weave fabric, divide your measurement in half to get your sett. This gets us 11. While it's possible to warp most looms to 11 ends per inch using a reed substitution chart, you could also choose to round up to 12 ends per inch (for a firmer fabric) or down to 10 ends per inch (for a softer, drapier fabric). If you're using a rigid heddle loom, you'll want to choose the number that is closest to the reed you have.

For a twill fabric, you usually want the sett to be a little denser. A good rule of thumb is that the sett would be 2/3 of the wraps per inch. With the same 22 WPI measurement from above, that gets us 14.5 ends per inch - but let's round up to 15 for the sake of simplicity!

For a warp-faced fabric, you want the warp to be very closely spaced so that the weft doesn't show. A good rule of thumb is that the sett will between 75% and 100% of the wraps per inch measurement you take. In this example, that would between 16.5-22 ends per inch. 

Remember: this is just a jumping-off point to get you started! It's always important to sample to make sure you're getting the cloth you want, especially when you're using your handspun yarns. 

Here are the results of the drum carding color blending experiment! From left to right:

• Two plies of unblended/undyed fiber
• Two plies of unblended/dyed fiber
• One ply each of unblended/undyed, and unblended/dyed fiber
• One pass through the drum carder, with each color as a single layer
• One pass through the drum carder, alternating colors as many small layers
• Two passes through the drum carder
• Three passes through the drum carder

All the fiber is Bluefaced Leicester, spun with a short forward draw. I was going for a little bit thicker than my "default" yarn, but I didn't try too hard to make sure that all the weights were the same, so there is definitely a little bit of variation in thicknesses and ply twist. 

One thing that I wasn't expecting is that because the first three didn't get put on the drum carder at all, they retained the alignment of industrial combed top, and therefore have more luster, while the ones that went through the drum carder look fluffier. It's a perfect example of the qualities that divide worsted and woolen yarns. 

Since I typically use 2-ply yarns, that's what I spun for, which technically adds another layer of color blending. Here are the singles on the bobbins for reference:

I do want to emphasize that none of these yarns is "right" or "wrong." It's all about what you want out of your yarn. I can think of times where I want lots of barberpoling and variegation, and other times when I would want a more even look. There is still a bit of variegation visible with the last yarn (three passes on the drum carder). It's a pleasant heathery look that I tend to love, but if I wanted complete blending, I might send the fiber through the drum carder for a fourth pass. 
​
Now on to the last step - knitting and weaving with the yarn to see how that affects the color blending!